Centering Women Composers in The Jazz Canon with Beginning Improvisation Students

This photo is from a 1946 recording session in which Vivien Garry (bassist, bandleader) recorded her blues composition"A Woman's Place Groove Is In The Groove" with Edna Williams, trumpet; Ginger Smock, violin; Winnie Beatty, piano; Dody Jeshke, drums.

 
 
Diversifying the jazz canon requires the inclusion of women composers, particularly works that are accessible to beginning and intermediate improvisors in terms of tempo, register, harmony and form. I encourage jazz musicians and educators to program this music and present it alongside works by gender non-binary and GLBTQIA+ composers. Sharing this music and it’s context with beginning students is a crucial step for a music culture that aims to transform away from patriarchal and heteronormative patterns and practices.
— Jon Ailaboni

Selections by Women Composers for Beginning and Intermediate Level Improvisors

 

Women composers of Tin Pan Alley

·      Berncie Petkere

o   Lullaby Of The Leaves (AABA)

o   Close Your Eyes (AABA)

·      Ann Ronell

o   Willow Weep For Me (AABA)

Prominent 20th century composers

·      Lillian Hardin Armstrong

o   Struttin With Some Barbeque (ABAC)

o   Just For A Thrill (ABA’B’)

o   Riffin' the Blues (NOLA Blues)

o   Perdido Street Blues (Blues – lead sheet in Terri Lyne Carrington’s New Standards)

·      Mary Lou Williams

o   Conversation (Blues)

o   Walkin’ and Swingin’ (AABA)

o   Roll Em’ (Boogie Woogie piano)

o   Offertory (3/4 fast minor blues)

o   What’s Your Story Morning Glory (Slow Blues) Ella’s version

o   I Have A Dream (3/4 with lyrics set to words by Martin Luther King Jr.)

·      Melba Liston

o   Blues Melba (Blues)

o   Just Waiting (ABA Ballad)

o   Melba’s Tune (Ballad AABACA’)

·      Carla Bley

o   Sing Me Softly Of The Blues (14 bar form)

o   Lawns (16 bar form)

 

Notable composers of the 1930s and 40s

·      Vivien GarryA Woman’s Place Is In The Groove (Med-Up tempo Blues)

·     Jane FeatherCat Meets Chick (ABAB’, A sections resemble “In A Mellow Tone”)

·      The International Sweethearts of RhythmJump Children (Riff Blues, Vocal Feature for Anna Mae Winburn) (Live video)

 

Notable composers of the 1950s and 60s

·      Terry PollardFedj (AABA resembles “Confirmation” by Charlie Parker)

·      Mary OsborneMary’s Goodbye Blues (Slow Blues)

·      Vi ReddLady Soul (Slow 12/8 Blues)

·      Shirley ScottBlues Everywhere (Blues)

Notable composers of the 1970s and 80s

·      Alice Coltrane Blue Nile (Minor Blues)

·      Emily RemlerBlues for Herb (Up tempo Blues)

 Living Composers

·      Ayn InsertoNotorious RBG (Hip Hop groove, originally set for large jazz ensemble)

·      Tia FullerSimpli-City (Modal)

·      Renee RosnesGoodbye Mumbai (AA’BA)

·      Monika HerzigJust Another Day At The Office (AABA Funky)

·      Caroline DavisKowtow (AA’BA’ 6/8 feel)

·      Laura CavianiWatching The Game (32 bar form, Shuffle)

·      Grace KellyFilosophical Flying Fish (Blues, Second Line)

·      Ingrid Jensen – Skookum [Spook]

·      Jessica WilliamsBlue Tuesday (16 bar Modal)

·      Billie Holiday Fine and Mellow (Slow Blues)

 

 Notable omissions

·      Marian McPartland

·      Maria Schneider

·      Toshiko Akiyoshi

·      Dorothy Donegan

·      Jane Ira Bloom

·      Christine Jensen

·      Geri Allen

·      Ellen Rowe

·      Esperanza Spalding

·      Terri Lyne Carrington

·      Linda May Han Oh

·      Many others!

Presented at the Jazz Education Network Conference on January 6, 2024 in New Orleans, LA.

Playlists

Teri Lynne Carrington’s New Standards: 101 Lead Sheets by Women Composers